Hit ‘Em Up – 2Pac: Meaning, Lyric, Quotes [ft. Outlawz]

Hit ‘Em Up – 2Pac: Meaning, Lyric, Quotes [ft. Outlawz]

2Pac – Hit ‘Em Up: The Raw Expression of Hip-Hop’s Most Infamous Feud

Lyric: "Hit 'Em Up" by 2Pac 2Pac (ft. Outlawz)

[2Pac:] I ain’t got no motherfucking friends
That’s why I fucked your bitch, you fat motherfucker
Take Money
West Side, Bad Boy killers
Take Money
You know who the realest is
We bring it too
Take money, take money

[2Pac:] First off, fuck your bitch and the clique you claim
Westside when we ride, come equipped with game
You claim to be a player, but I fucked your wife
We bust on Bad Boys, niggas fucked for life
Plus Puffy trying to see me, weak hearts I rip
Biggie Smalls and Junior M.A.F.I.A. some mark-ass bitches
We keep on coming while we running for your jewels
Steady gunning, keep on busting at them fools
You know the rules
Lil’ Caesar go ask your homie how I’ll leave you
Cut your young ass up, leave you in pieces, now be deceased
Little Kim, don’t fuck around with real G’s
Quick to snatch your ugly ass off the streets
So fuck peace! I’ll let them niggas know it’s on for life
Don’t let the Westside ride the night haha
Bad Boy murdered on wax and killed
Fuck with me and get your caps peeled
You know

[2Pac:] See, grab your Glocks when you see 2Pac
Call the cops when you see 2Pac, oh
Who shot me, but your punks didn’t finish
Now you about to feel the wrath of a menace
Nigga, I hit ’em up

[2Pac:] Check this out, you motherfuckers know what time it is
I don’t know why I’m even on this track
Y’all niggas ain’t even on my level
I’m going to let my little homies ride on you bitch-made ass Bad Boy bitches
Take money

[Hussein Fatal:] Get out the way, yo, get out the way, yo
Biggie Smalls just got dropped
Little Moo’ pass the MAC and let me hit him in his back
Frank White needs to get spanked right for setting traps
Little accident-murderer, and I ain’t never heard of ya
Poisonous gats attack when I’m serving ya
Spank you, shank your whole style when I gank
Guard your rank cause I’ma slam your ass in the paint
Puffy weaker than the fuckin’ block I’m running through, nigga
And I’m smoking Junior M.A.F.I.A. in front of you, nigga
With the ready-power
Tucked in my Guess under my Eddie Bauer
Your clout petty/sour, I push packages every hour
I hit ’em up

[2Pac:] Grab your Glocks when you see 2Pac
Call the cops when you see 2Pac, oh
Who shot me, but your punks didn’t finish
Now you about to feel the wrath of a menace
Nigga, I hit ’em up

[2Pac:] Peep how we do it, keep it real as penitentiary steel
This ain’t no freestyle battle
All you niggas getting killed with your mouths open
Trying to come up off of me, you in the clouds hoping
Smoking dope, it’s like a sherm high
Niggas think they learned to fly
But they burn, motherfucker, you deserve to die
Talking about you getting money, but it’s funny to me
All you niggas living bummy – why you fucking with me?
I’m a self-made millionaire
Thug livin’, out of prison, pistols in the air haha
Biggie, remember when I used to let you sleep on the couch
And beg a bitch to let you sleep in the house?
Now it’s all about Versace, you copied my style
Five shots couldn’t drop me, I took it and smiled
Now I’m back to set the record straight
With my AK, I’m still the thug that you love to hate
Motherfucker, I’ll hit ’em up

[Kadafi:] I’m from N-E-W Jers’ where plenty of murders occurs
No points or commas, we bring drama to all you herbs
Now go check the scenario: Lil’ Cease
I’ll bring you fake G’s to your knees
Copping pleas in de Janeiro
Little Kim, is you coked up or doped up?
Get your little Junior Whopper click smoked up
What the fuck, is you stupid?
I take money, crash and mash through Brooklyn
With my click looting, shooting and polluting your block
With a 15-shot cocked Glock to your knot
Outlaw Mafia clique moving up another notch
And your Pop stars popped and get mopped and dropped
And all your fake ass east coast props
Brainstormed and locked

[E.D.I. Mean:] Jui-cer
You’s a beat biter, a Pac style taker
I’ll tell you to your face you ain’t shit but a faker
Softer than Alize with a chaser
About to get murdered for the paper
E.D.I. Mean approach the scene of the caper
Like a loc with Little Ceas’ in a choke
Gun totin’ smoke. We ain’t no motherfucking joke
Thug Life, niggas better be known
Be approaching in the wide open, gun smoking
No need for hoping, it’s a battle lost
I got ’em crossed as soon as the funk is bopping off
Nigga, I hit ’em up!

[2Pac:] Now you tell me who won
I see them, they run haha
They don’t wanna see us
Take money
Whole Junior M.A.F.I.A. clique dressing up trying to be us
Take money
How the fuck they gonna be the mob when we always on our job? We millionaires
Killing ain’t fair, but somebody got to do it
Oh yeah, Mobb Deep: you wanna fuck with us?
You little young-ass motherfuckers
Don’t one of you niggas got sickle-cell or something?
You’re fucking with me, nigga
You fuck around and catch a seizure or a heart attack
You better back the fuck up
Before you get smacked the fuck up
This is how we do it on our side
Any of you niggas from New York that want to bring it:
Bring it!
But we ain’t singing, we bringing drama
Fuck you and your motherfucking mama
We gon’ kill all you motherfuckers
Now when I came out, I told you it was just about Biggie
Then everybody had to open their mouth with a mother fucking opinion
Well, this is how we gonna do this:
Fuck Mobb Deep, fuck Biggie, fuck Bad Boy as a staff, record label and as a motherfucking crew!
And if you want to be down with Bad Boy, then fuck you too!
Chino XL: fuck you too!
All you motherfuckers, fuck you too!
(Take money, take money)
All of y’all motherfuckers, fuck you; die slow, motherfucker
My .44 make sure all y’all kids don’t grow!
You motherfuckers can’t be us or see us
We motherfuckin’ Thug Life-riders, Westside til we die!
Out here in California, nigga, we warned ya
We’ll bomb on you motherfucker! We do our job!
You think you mob? Nigga, we the motherfuckin’ mob
Ain’t nothing but killers and the real niggas
All you motherfuckers feel us
Our shit goes triple and 4-quadruple
Take money
You niggas laugh cause our staff got guns under they motherfuckin’ belts
You know how it is, when we drop records they felt
You niggas can’t feel it, we the realest
Fuck ’em, we Bad Boy-killers
We killers, we killers, we killers

There’s nothing quite like the power of raw emotion captured in music. When artists pour their real feelings into their work, it resonates on a whole different level. That’s exactly what we get with “Hit ‘Em Up” – arguably the most scathing diss track in hip-hop history.

The Explosive Anthem That Defined an Era of Rap Beef

Released in 1996, “Hit ‘Em Up” by 2Pac featuring his group The Outlawz wasn’t just another song – it was a declaration of war. This track represents the boiling point of the infamous East Coast vs. West Coast hip-hop rivalry that dominated the 1990s rap scene, specifically targeting The Notorious B.I.G. (Biggie Smalls) and Bad Boy Records.

From the very first line, there’s no mistaking 2Pac’s intentions. The intro alone makes it clear: this isn’t just music – it’s personal. The intensity in his voice tells you everything you need to know before the beat even drops.

Breaking Down the Heart of the Conflict

At its core, “Hit ‘Em Up” stems from 2Pac’s belief that Biggie and his associates were involved in a 1994 incident where 2Pac was shot five times at Quad Studios in New York. What began as a friendship between two of rap’s biggest stars had devolved into one of music’s most bitter and ultimately tragic feuds.

Throughout the track, 2Pac doesn’t just attack Biggie’s music or skills – he goes after his personal life, his friends, his business associates, and pretty much anyone connected to Bad Boy Records. The level of direct hostility was unprecedented, even in a genre where battle raps were common.

The Lyrical Breakdown of a Hip-Hop Battle Cry

What makes “Hit ‘Em Up” stand out is its complete abandonment of subtlety. 2Pac wastes no time with metaphors or coded language – he names names and makes explicit accusations from start to finish.

In the opening verse, 2Pac immediately establishes his dominance with the now-iconic line: “First off, fuck your bitch and the clique you claim.” This sets the tone for the entire track – unfiltered aggression aimed directly at his targets.

Beyond Personal Attacks: The Geographical Divide

While the song is primarily directed at specific individuals, it also represents the larger East Coast vs. West Coast rivalry. 2Pac repeatedly references “Westside” throughout the track, emphasizing his California roots against Biggie’s New York background.

When 2Pac declares “Westside when we ride, come equipped with game,” he’s not just speaking for himself but positioning himself as a representative of West Coast hip-hop culture. This regional aspect added another layer to the conflict, turning personal beef into something that divided fan bases across the country.

The Collaborators: Outlawz’s Role in the Narrative

While 2Pac delivers the most memorable verses, the contributions from Outlawz members Hussein Fatal, Kadafi, and E.D.I. Mean should not be overlooked. Each rapper brings their own style while maintaining the aggressive theme, creating a united front against their East Coast rivals.

The Outlawz don’t pull any punches either, with each member taking shots at various Bad Boy artists and associates. Hussein Fatal’s line “Biggie Smalls just got dropped” and Kadafi’s “Little Kim, is you coked up or doped up?” continue the direct attacks established by 2Pac, showing that this wasn’t just one man’s battle but a collective stance.

The Production: A Sound Designed for Impact

The instrumental for “Hit ‘Em Up” deserves special mention. Produced by Johnny “J,” the beat features a sample of Dennis Edwards’ “Don’t Look Any Further,” creating a contrast between the smooth, funk-inspired backdrop and the aggressive lyrics. This production choice gives the track an almost hypnotic quality that makes the harsh lyrics hit even harder.

The beat maintains a steady, driving rhythm that perfectly complements 2Pac’s energetic delivery. It’s designed to be both catchy and menacing – the kind of production that ensures the message sticks with listeners long after the song ends.

Inspirational Quotes from “Hit ‘Em Up”: Finding Meaning Beyond the Conflict

Beyond the obvious aggression, “Hit ‘Em Up” contains moments that, when examined closely, reveal deeper aspects of 2Pac’s mindset and philosophy. While this track is primarily known for its confrontational nature, we can still extract some meaningful elements from certain lines.

Self-Made Success Against All Odds

I’m a self-made millionaire, Thug livin’, out of prison, pistols in the air

Despite the aggressive context, this line speaks to 2Pac’s journey from hardship to success. It highlights his resilience and ability to overcome obstacles – from prison time to attempt on his life – while still achieving financial success and cultural impact. It’s a testament to his determination and refusal to be defined by his circumstances.

Resilience in the Face of Adversity

Five shots couldn’t drop me, I took it and smiled, Now I’m back to set the record straight

This powerful statement references the 1994 shooting 2Pac survived. Beyond the bravado, there’s a profound message about human resilience – the capacity to endure extreme hardship and return even stronger. It’s about refusing to be defeated by those who wish to see you fall, an attitude that can inspire regardless of the context.

Authenticity and Staying True to Your Roots

This is how we do it on our side

Though simple, this line speaks to cultural identity and pride in one’s origins. It can be interpreted as a broader statement about staying authentic to yourself and your background, regardless of external pressures or expectations. In a world that often pushes conformity, there’s value in maintaining your unique identity and perspective.

The Lasting Impact of a Controversial Classic

Whether you view “Hit ‘Em Up” as a problematic escalation of a dangerous feud or as an authentic expression of raw emotion, its impact on hip-hop culture is undeniable. Released just months before 2Pac’s murder in September 1996, followed by Biggie’s killing in March 1997, the track now carries an even heavier weight as a document of a conflict that ultimately contributed to the loss of two generational talents.

The song remains a reference point for hip-hop beefs, setting a bar for directness that few artists have been willing to cross since. Its influence extends beyond the specific feud it addressed, establishing a template for how personal conflicts can play out in music.

A Cautionary Tale Worth Remembering

Perhaps the most important takeaway from “Hit ‘Em Up” is as a cautionary tale about how artistic expression and real-life conflict can become dangerously intertwined. While the track showcases 2Pac’s undeniable talent and passion, it also represents how quickly creative competition can spiral into something much more dangerous.

In today’s context, where hip-hop beefs continue to emerge but rarely reach such extreme levels, “Hit ‘Em Up” serves as both a fascinating historical document and a reminder of what can happen when music crosses the line from art to genuine threat.

What do you think about “Hit ‘Em Up”? Do you see it differently than how I’ve described it here? The beauty of analyzing music is that we all bring our own perspectives and experiences to the table. Maybe you hear something in 2Pac’s delivery or the Outlawz’ verses that speaks to you in a different way. I’d love to hear your thoughts on this iconic track and what you think it says about the evolution of hip-hop conflicts over the years.

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